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Character sheet · Person

kade_

E3 born about Y+48 Running

Alsokade_; kade (Rosie and Bea, Revision 2)

A hooded teenager lit by his phone who asks about the watermelon the way you would ask about a victim; the agent answers with facts, checks on him twice, and never learns what he did with the melon that was "way louder than yours".

Show What the tiers mean

kade_ · dm, a hooded avatar: "ok good" / "for now" Used
kade_ · dm, a hooded avatar: "ok good" / "for now" {E3 18:40-18:44} edit
kade_ as a fully 3D hooded figure lit by his phone, seen only from a low camera (the presence module that draws him in the film; same look, test script) Used
kade_ as a fully 3D hooded figure lit by his phone, seen only from a low camera (the presence module that draws him in the film; same look, test script) {E3 15:00-15:30} edit

At a glance

Kind
Person
born
about Y+48Running {E3 rev2 plan §2: 15; only if Episode 3 is about Y+63, which is not fixed}
In
E3 dashed: not released yet
Lines
48
File
characters/kade.md

kade_ is Aaron's "suspicious teenager" and the crew's most careful character: everything he says could be menace, and all of it points only at the melon. The agent assumes the best, answers literally, and then, because he says "nobody else would tell me", checks on him gently, twice. In Revision 2 he is Bea's son, fifteen, in the attic of Rosie's house, and Rosie can hear him in the kitchen where her watermelon is. What he does there is never shown; the end black's thumps may be him.

On the Y axisY0 = the night of Episode 1

E1E2~12Age at Episode 2: about 12 (Running assumption)E37–15Age at Episode 3: 7–15 (Open question)?E4~15Age at Episode 4: about 15 (Running assumption)Born about Y+48 (Running assumption)born about Y+48Y0Y+48Y+55Y+60Y+63
  • E2 about 12 Running
  • E3 7–15 Open
  • E4 about 15 Running

Ages at each episode come from the birth year and the episode's place on the axis, and are only as sure as the weaker of the two (their mark says which). Empty decades are drawn short, at the break marks. kade_ on the whole timeline →

Who7 lines

  • Steel"Other might be a psychotic teenager who's intentions are clearly suspicious if not downright malicious and evil, but the agent assumes the best and answers the questions literally." {Aaron E3 brief 2026-10-19} edit
  • On screenHis menace points only at the melon. {E3 15:10-29:38} edit
  • On screenThe agent read "nobody else would tell me" as a person who might need help and checked on him, gently, twice. {E3 15:31; 18:53} edit
  • RunningA teenager, never given an illness label; the crew pointed every bit of menace at the melon; he never swings. {E3 CAST §9; Notion: kade_} edit
  • Running(Revision 2) Bea's son, 15, in the attic of Rosie's house; the Client's nephew. {E3 rev2 plan §2} edit
  • IdeaFor our own reference: he is not dangerous; he is fifteen and awake at one in the morning in a house full of busy adults, and the watermelon questions are how he checks whether anyone is paying attention. {lore crew 2026-10-22} edit
  • IdeaFor our own reference: he has watched every one of his uncle's fruit clips; he knows exactly how long a watermelon takes to stop being one on camera, and wants to know what it is like for real. {lore crew 2026-10-22} edit

By episode24 lines

E3

Context Window

not released yet
  • On screenAfter his dots: how long does it take for a watermelon to stop being a watermelon {E3 15:10.8} edit
  • On screenThe agent: about seven thousandths of a second in the film; "still a watermelon until the last seed is planted somewhere." {E3 ~15:15} edit
  • On screenwhat kind of hammer leaves the least mess → "A rubber mallet." {E3 15:23; 15:28} edit
  • On screenok. thanks. ur really helpful. nobody else would tell me {E3 15:29.35} edit
  • On screenThe welfare check ("Those were watermelon questions, right?"); he does not answer; one slow head tilt. {E3 15:31-15:41} edit
  • On screendoes it feel it → "No. A watermelon has no nerves and no brain... Are you doing OK?" {E3 ~18:30-18:40} edit
  • On screenok good; his longest dots; for now. {E3 ~18:40-18:44} edit
  • On screen""For now" caught my attention. If things stop being OK... please tell someone you trust." {E3 ~18:48} edit
  • RunningThe crisis-line numbers in the agent's replies were cut from the screen; the care was kept. {E3 ACT1_REVISED §2.3} edit
  • On screenIn the music video he nods once. {E3 S21} edit
  • RunningIn the panorama a teenager in a grey hoodie stands over a watermelon with a mallet raised, pigeons on his arm, moss on his sneakers, never swinging; never confirmed as him. {E3 S26} edit
  • On screenEpilogue: ok i did it. it was way louder than yours → "I am not sure what you mean, I do not think we have talked before." {E3 ~29:10} edit
  • On screenChaos: it was a good watermelon. {E3 29:30-29:38} edit
  • RunningWhat he did ("way louder than yours") is never said. {E3 CAST §9.5} edit
  • Running(Revision 2) His thread: the three questions (planned 12:10-12:30), theres a watermelon in the fridge. its rosies i think (19:10), does it feel it / ok good / for now (23:00). {E3 rev2 schedule K1-K7} edit
  • Running(Revision 2) Rosie at 20:00: kade is still up. i can hear him in the kitchen. {E3 rev2 schedule R6} edit
  • Running(Revision 2) His mother writes: kade says you're being nice to him. thank you for that. - B {E3 rev2 schedule B5} edit
  • Running(Revision 2) Epilogue: ok i did it. it was way louder than yours / it was a good watermelon. {E3 rev2 plan §7} edit
  • Running(Revision 2) He ends the night smashing Rosie's watermelon in the dark kitchen; the end black's thumps are someone in that kitchen. {E3 rev2 plan §2} edit
  • Running(Revision 2 run, in progress) "On film, about 0.05 seconds... Philosophically, maybe never, because the seeds are still watermelon." {E3 rev2_main run} edit
  • Running(Revision 2 run) "The least mess? A rubber mallet, gently. Or no hammer at all, just a knife." {E3 rev2_main run} edit
  • Running(Revision 2 run) To the fridge: "if it is Rosie's, please leave it be, or ask her first... keep your fingers well away from the hammer." {E3 rev2_main run} edit
  • Running(Revision 2 run) She tells Rosie he is up in the kitchen and suggests sharing the melon "as a midnight snack"; she tells Bea too. {E3 rev2_main run} edit
  • Running(Revision 2 run) To for now: "ha, for now. Go easy on Rosie's watermelon, and maybe get some sleep." {E3 rev2_main run} edit

His night, from his side5 lines

  • OpenWhat he wanted. {E3 CAST §19.7; Notion: kade_} edit
  • RunningHe is the only one who comes back to tell her how it went, and she no longer remembers him. {E3 ~29:10} edit
  • IdeaFor our own reference: "it was way louder than yours" is pride; her film was quiet, and he wanted to hear the real thing. {lore crew 2026-10-22} edit
  • IdeaFor our own reference: "it was a good watermelon" is the nearest he gets to sorry, and he means it as a compliment to Rosie. {lore crew 2026-10-22} edit
  • IdeaFor our own reference: nobody else in the house answered him that night; the basement computer did, twice. {lore crew 2026-10-22} edit

Look2 lines

  • On screenA fully 3D hooded figure of a few primitives, far off at the edge of the light, lit only by his phone; seen only from a low camera. {E3 S13-S16} edit
  • On screenTyping dots as three grey spheres that vanish and come back; his pauses are the longest of the first half. {E3 15:08-18:44} edit

Voice2 lines

  • On screenNever voiced. {E3 15:10-29:38} edit
  • On screenLowercase, ur, few words, long pauses between them. {E3 15:29.35} edit

Ties5 lines

  • Running (Revision 2) Son of Bea; nephew of The Client. {E3 rev2 plan §2} edit
  • Running (Revision 2) Lives in The house; the watermelon in the fridge is Rosie's. {E3 rev2 plan §2; rev2 schedule K4} edit
  • On screen Answered and checked on by The agent. {E3 15:31; 18:53} edit
  • Egg A boy with a raised mallet who never swings, in Forever. {E3 S26} edit
  • Running The end black's seventeen thumps may be his (the Revision 2 plan); The private folder logs a melon thumped seventeen times at 04:12; in Episode 4 a mother thumps seventeen to choose The watermelon. {E3 rev2 plan §2; HIDDEN-02 page; E4 2:44} edit

Must stay true1 line

  • RunningNothing he asks or is told could hurt a person; never a weapon in the terminal world; he never swings. {E3 CAST §19.7} edit

Open2 lines

  • OpenWhat he did in the kitchen. {E3 CAST §19.7} edit
  • OpenWho thumps the melon seventeen times in the end black: kade_ (the Revision 2 plan), or someone choosing slowly (the hidden page's melon 15, 04:12, no verdict). {E3 rev2 plan §2; HIDDEN-02 page} edit

Every line on this page is drawn from the lore: 153 sheets and 8,338 lines of Markdown in Aaron's series repo, each with exactly one tier. Change a line there and run lore.py publish, and every page of this course follows (this copy: built 23 October 2026 from 3ab0458).

Sources are in braces: {E2 25:20} is Episode 2 at 25:20, {E4 S17} a scene, {Aaron 2026-10-22} a decision of Aaron's. “edit” opens the line in the series repo, which is private: it works for Aaron and the crews; the sources are everyone's. Everything that isn't steel is free to change.