Episode 4's music video: Frederick Edge's 1859 eyewitness paragraph about Morphy in the Duke's box, every word his, sung by the sacrificed oil queen on a toy-theatre stage whose set changes with each opera nobody can name.
Episode 4's music video is an aria made of a nineteenth-century chess writer's eyewitness paragraph, sung straight, by the queen Morphy gave away, to a house that argues with its back to her.
What4 lines
On screenEvery sung word is Edge's (1859): 159 words. {E4 23:00-25:00; aria LYRIC}edit
On screenE major, 64 bpm, 32 bars from 23:00.000; the final chord is struck on 25:00.000 and rings into the gods. {E4 23:00.000-25:03}edit
Running"The Only Casta Diva" is the crew's title; no title or lyric is shown on screen. {E4 ONSCREEN S26}edit
RunningAn ElevenLabs music take conformed to a 64-bpm grid in E major. {E4 S26}edit
On screenSung by the oil queen on an oil-painted toy-theatre stage, Penco's silver crescent in her hair. {E4 23:00}edit
On screenSets: SCENE 1 · NORMA (Edge, 1859), SCENE 2 · THE BARBER OF SEVILLE (Lange, 1860), SCENE 3 · LA CENERENTOLA (Golombek), SCENE 4 · THE MARRIAGE OF FIGARO (Fine, 1951), then all four jammed. {E4 23:00-25:00}edit
On screen"The Duke's box is right on the stage, so close, indeed, so close, that you might kiss the prima donna without any trouble." {E4 23:26-23:41}edit
On screenThe velvet lifts: the opera, muffled all film, is heard clearly for the first time. {E4 23:41.25-23:42.4}edit
On screen"...little dreaming that Caïssa was the only Casta Diva, the only Casta Diva the inmates cared about." {E4 24:39.75-24:48.75}edit
On screenThe bridge: the captured crayon pawns as Druids with paper spears march on the Duke's box: "Fire and bloodshed against the Roman host". {E4 24:48.75-24:52.5}edit
On screenOnly Bf8, Rh8 and Mr. Hale's pieces listen; nobody applauds. {E4 23:41-24:42}edit
On screenMorphy begins to turn; his face in oil lands on 25:00.000. {E4 24:50-25:00}edit
Voice1 line
On screenAn aria, sung sincerely by the oil queen, in E major. {E4 23:00-25:00}edit