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Sheet · Work

Crimson Coil

E1E2E3E4 from Y0 On screen

Alsothe painting; Number fourteen; No. 14; CRIMSON COIL · oil on linen; no14_crimson_coil_postcard.jpg

The oil painting made on air in Episode 1, Jefrie and BloodTailor in the golden ruins of the Storm Bell, hung as "Number fourteen. ... Please don't touch."; later only ever met second-hand: a framed print (E2), a postcard file (E3), a palette and a hallway painting a boy may not touch (E4).

Show What the tiers mean

Crimson Coil, oil on linen: Jefrie and BloodTailor in the golden ruins of the Storm Bell (18,927 marks, 76 painted days) Used
Crimson Coil, oil on linen: Jefrie and BloodTailor in the golden ruins of the Storm Bell (18,927 marks, 76 painted days) {E1 20:01} edit
"Number fourteen. Crimson Coil." in the gallery Used
"Number fourteen. Crimson Coil." in the gallery {E1 28:03} edit
Sixty years on: a framed print on Teo's wall, under his lamp Used
Sixty years on: a framed print on Teo's wall, under his lamp {E2 00:20} edit

At a glance

Kind
Work
from
Y0On screen {E1 06:00-19:58}
In
E1 E2 E3 E4 dashed: not released yet
Lines
66
File
things/crimson-coil.md

Crimson Coil is the first thing the series made and the thing that lasts. It is painted in twenty minutes of a dawn broadcast and seventy-six days of its own clock, hides a cabin and a ghost blade, is signed twice, gets its last stroke from a brush nobody holds, and is then flown over, X-rayed, cut, sung, filmed silent and hung. After that night nobody in the series stands in front of the original again: it is a print behind Teo's head, a postcard in someone's Pictures, an unsent letter ("I still have the postcard"), a queen painted in its colours, and a painting in a hallway that a nine-year-old is not allowed to touch.

On the Y axisY0 = the night of Episode 1

E10Age at Episode 1: 0 (On screen)E2~60Age at Episode 2: about 60 (Running assumption)E355–63Age at Episode 3: 55–63 (Open question)?E4~63Age at Episode 4: about 63 (Running assumption)Born Y0 (On screen)from Y0about Y+60: A framed print hangs under Teo's lamp.about Y+63: A boy's family has a painting in its hallway he is not allowed to touch.Y0Y+55Y+60Y+63
  • E1 0 On screen
  • E2 about 60 Running
  • E3 55–63 Open
  • E4 about 63 Running

Ages at each episode come from the birth year and the episode's place on the axis, and are only as sure as the weaker of the two (their mark says which). Empty decades are drawn short, at the break marks. Crimson Coil on the whole timeline →

What25 lines

  • On screenOil on linen; fourteen tubes, one knife, 76 days (the wall label and the credits). {E1 28:00; S44} edit
  • On screenJefrie and BloodTailor in the golden ruins of the Storm Bell. {E1 00:35-19:58} edit
  • SteelAaron's brief: recreate the old style reference while fixing its mistakes (her tail and weapon, his metal jaw, capes that can't be read). {Aaron E1 brief 2026-10-11} edit
  • SteelPut the detail where the eye goes: the faces and the weapons. {Aaron E1 brief 2026-10-11} edit
  • Running600 mm wide, 16:9, on a knife-laid ground of lead white and raw umber. {E1 treatment §2.0} edit
  • Running18,927 marks in 159 chunks; at full size it reads more like an illustration than an oil. {E1 HOW_IT_WAS_MADE} edit
  • On screenPainted on its own clock, DAY 1 to DAY 76 · 10:42, shown as a day stamp beside the window. {E1 19:58} edit
  • RunningThe painting clock is the canvas's time, not the night's: 76 days pass in twenty minutes of a dawn broadcast. {WORLD_TIMELINE} edit
  • On screenOne wait of 66 days for the crimson to dry, DAY 7 to DAY 73. {E1 16:21-16:55} edit
  • On screenThe glazes go on at DAY 75. {E1 25:49} edit
  • On screenThe day stamp runs backwards once, DAY 75 back to DAY 73, around 17:40. {E1 ~17:40; QA_REPORT} edit
  • On screenUntil 20:00 it is seen only through a 3:2 broadcast window slightly too narrow for it. {E1 00:35-20:00} edit
  • On screenHidden in it: the painted-out cabin, lower right in the ruins (The cabin). {E1 11:20} edit
  • On screenHidden in it: a halo of window light round a blade that isn't there (the pentimento). {E1 09:37} edit
  • On screenSigned twice: a small coil glyph low left in Coil Black, and J-E-F-R-I-E scratched low right. {E1 19:37; 28:10} edit
  • On screenJefrie, of the scratched name: "That's mine. I signed it while you were looking at the palette." {E1 28:10; Q-E1-23} edit
  • On screenIts last stroke is a catch-light one hair wide in her left eye, laid with nobody holding the brush. {E1 19:57.5} edit
  • On screenX-ray: the lead white shows the halo and the cabin. {E1 21:05-21:40} edit
  • On screenRaking light: every ridge throws a shadow and the scratched name stands up. {E1 28:07} edit
  • On screenSodium light: the capes go grey and the picture still reads. {E1 28:18} edit
  • On screenUltraviolet: the last speck reads dark; it went in last. {E1 28:24} edit
  • On screenThe gallery number: "Number fourteen. Crimson Coil. Please don't touch." {E1 28:00} edit
  • On screenWall label: CRIMSON COIL · oil on linen · fourteen tubes, one knife, 76 days · Lent by the girl in it. {E1 28:00} edit
  • On screenIn the gallery Jefrie says "Keep this one." and "...I look like somebody kept me." {E1 28:00-29:05; Q-E1-01} edit
  • On screenIts subjects talk, sing, act in a soap and a silent film, and at 29:02 leave the gallery frame empty. {E1 22:35-29:02} edit

On the Y axis5 lines

  • On screenY0 Painted on air from 06:00 to 19:58 of the programme; finished at DAY 76 · 10:42 on its own clock. {E1 19:58} edit
  • On screenY0 Hung in a gallery as Number fourteen, lent by the girl in it. {E1 28:00} edit
  • RunningY0..60 It becomes "an old, well-loved painting from a televised paint-along", with prints and museum-shop postcards. {E2 WORLD_BIBLE §13} edit
  • Eggabout Y+60 A framed print hangs under Teo's lamp. {E2 00:20} edit
  • Eggabout Y+63 A boy's family has a painting in its hallway he is not allowed to touch. {E4 5:27.92} edit

By episode15 lines

  • On screenPainted from 06:00 to 19:58; toll #4 breaks the 3:2 window at 20:00 and it goes full-bleed. {E1 20:00-20:01} edit
  • On screenAfter 20:00 it is flown over, X-rayed, cut back to linen, cropped into a soap, sung, filmed silent, over-painted in four quarters (then restored), hung, relit and mixed into mud. {E1 20:20-29:58} edit
  • On screenA slider compares it with the old picture: "Theirs is confetti." {E1 22:01-22:13} edit
  • On screenThe host becomes its audio guide in the gallery. {E1 28:00} edit
  • EggA framed print (white mat, walnut frame) under Teo's lamp, behind his head in the facecam. {E2 00:20; 26:39; EGG-02} edit
  • RunningNoor has seen it behind his head for three years. {E2 WORLD_BIBLE §13} edit
  • EggOn the hidden page, Noor's crayon of its girl: a grinning masked girl, red eyes, a red-bladed scythe, a long tail, signed N. {E2 hideaway page; HIDDEN-01} edit
E3

Context Window

not released yet
  • Egg~/Pictures/no14_crimson_coil_postcard.jpg among ordinary photo names, 1604×948 · 293 KB · mostly #7B5031 · online-only. {E3 ~2:11; 3:31-3:43; E3-EGG-03} edit
  • Running(rev0) It hung as No. 14 in the filmstrip's Museum of Attempts under a sodium-yellow lamp; cut in Revision 1. {E3 rev0 22:54.7; E3-EGG-30} edit
  • EggIn the oil painting, a small framed No. 14 nearly lost on the dark wall. {E3 28:00-28:25; S27} edit
  • EggA crayon of its girl with the tail, signed "N." (not legible), on Rosie's fridge beside the pizza box. {E3 10:21-10:22; E3-EGG-45} edit
  • EggHidden page, an unsent letter to_m.txt: "I still have the postcard. The one with the painting. I keep it with my pictures." {HIDDEN-02 page} edit
E4

Touch Move

not released yet
  • EggThe oil queen is painted in its alizarin, viridian and Coil Black, with a sash in its alizarin. {E4 5:27; 18:44-19:20; 23:00-25:00; E4-EGG-01} edit
  • On screenThe boy: "She looks like the painting in our hallway. The one I'm not allowed to touch." {E4 5:27.92} edit
  • EggThe hallway painting is implied to be Crimson Coil or a print of it; "not allowed to touch" answers the gallery's "Please don't touch." {E4 5:27.92} edit

Look2 lines

  • On screenHer tail curling through the composition; his blood spiral in two knife turns; two capes as two red shapes; gold ruins with iron cage bars and bells; a window glow. {E1 19:58-20:01} edit
  • On screenAs a postcard file it is mostly #7B5031, a warm brown. {E3 3:31-3:43} edit

Ties7 lines

Must stay true2 lines

  • RunningThe composition as painted: her tail from her lower back, one blade with the red eye at its root, his smooth iron over a human grin. {Q-E1-01} edit
  • RunningIt lasts, and every later episode meets it second-hand, never as the original. {series gather} edit

Open10 lines

  • OpenWhere the original hangs after Y0, and who lends it ("Lent by the girl in it": Jefrie is a painted figure). {E1 28:00} edit
  • IdeaIn the boy's family hallway in Episode 4; it came to the family from Teo's study. {series gather} edit
  • IdeaIt is Rosie's: the host gave it to the girl it was painted for that night, or her brother bought it; then Episode 4's family is Rosie's kin. {eggs sweep} edit
  • OpenWhether the boy's hallway painting is Crimson Coil, and whether it is the original or a print. {E4 5:27.92} edit
  • OpenWho M. is in the unsent letter about the postcard. {HIDDEN-02 page} edit
  • IdeaM. is Moth, the caller. {series gather} edit
  • IdeaM. is Maisie, grown up. {series gather} edit
  • RunningStale: Episode 3's SUMMARY and WORLD_TIMELINE still hang it in the Museum of Attempts, which Revision 1 cut. {EGG_REGISTRY E3-EGG-30} edit
  • IdeaX-ray it again in a later episode and find a second thing under the cabin. {eggs sweep} edit
  • IdeaA tactile copy for Mr. Hale is the egg still waiting to be made. {eggs sweep} edit

Every line on this page is drawn from the lore: 153 sheets and 8,338 lines of Markdown in Aaron's series repo, each with exactly one tier. Change a line there and run lore.py publish, and every page of this course follows (this copy: built 23 October 2026 from 3ab0458).

Sources are in braces: {E2 25:20} is Episode 2 at 25:20, {E4 S17} a scene, {Aaron 2026-10-22} a decision of Aaron's. “edit” opens the line in the series repo, which is private: it works for Aaron and the crews; the sources are everyone's. Everything that isn't steel is free to change.