The flat: place · I Love My Evening Television

For twenty minutes we only hear where the lesson happens. At 26:15 the programme falls away and the room is simply there: a lamp, a table, the box, the clock, a boy's sleeve, a teacher's hands, a kitchen beyond, a fridge humming on A.

What6 lines

RunningA ground-floor flat. {E4 MASTER_TREATMENT §1} edit

RunningThe mother booked the lesson; the teacher came to the house on an autumn weeknight. {E4 MASTER_TREATMENT §1} edit

On screenAn oak dining table under one old pendant lamp whose bulb flickers; cuts at the real table come on the flicker. {E4 26:15-29:30} edit

On screenThe kitchen through a doorway; its warm light #F2D49B falls across the far end of the table. {E4 S28-S29} edit

On screenA fridge hums through the doorway, on A. {E4 S28-S31} edit

On screenA hallway with a painting the boy is not allowed to touch. {E4 5:27.92} edit

By episode11 lines

Touch Move

not released yet

On screenFor twenty minutes the room is heard, not seen: the board fills the picture. {E4 0:35-20:00} edit
On screenSeventeen knuckle thumps from the kitchen; a heavy set-down at the far end of the table. {E4 2:44-13:32.6} edit
On screenIn the dark: footsteps, a hip against the table, a long low roll, a clatter of 24 pieces, a gasp. {E4 14:20-14:32.53} edit
On screenFirst seen unmediated at 26:15: the lamp and moth, the open box, the brass clock, the Opera scoresheet with its Result box empty, the tablet face down, the boy's sleeve and band-aid, the teacher's still hands. {E4 26:15-26:30} edit
On screenA watermelon slice on a plate and the mother's rolled drawings (white on Prussian blue, orange redlines) at the far end. {E4 S28; S29} edit
RunningOne loose black seed beside the plate: added in master v3 (FIXLIST F57), not found in v1 or v2. {E4 S28; FIXLIST F57} edit
On screenNo music, no glitch, no programme at the real table. {E4 26:15-29:30} edit
On screenBoard 14 is played here; the boy falls asleep on his arms; the teacher waits. {E4 27:05-29:30} edit
On screenThe kitchen light clicks off. {E4 29:29.5} edit
On screenThe tablet flips face up and lights with the draw offer; a small hand accepts. {E4 29:30; 29:57} edit
On screenIn the end black someone sets up a new game in the dark (32 placements). {E4 30:00-30:20} edit

Look2 lines

On screenOak table, a flickering pendant lamp, warm kitchen light #F2D49B, a moth on the lamp's rim. {E4 26:15-29:30} edit

IdeaFor our own reference: a narrow hall with coats on hooks, the painting behind glass at a child's eye level, kitchen tiles chipped beside the fridge. {lore crew 2026-10-22} edit

Ties7 lines

On screen Home of The boy and The mother; Daniel Fenn, the instructor came to it. {E4} edit

Running Home of The boy's brother too, never seen. {E4 15:31-16:23} edit

Egg Its fridge on A matches the fridge in Episode 3's end-black kitchen. {E4 S28 sound} edit

Egg Its hallway painting is implied to be Crimson Coil, or a print of it. {E4 5:27.92} edit

On screen Its table holds Board 14, the The brass clock, the The piece box and the The yellowed sheet. {E4 26:15-29:56} edit

On screen The The watermelon was carried to its table. {E4 13:32.6; S28} edit

Egg The mother's drawings look like Teo's EARTHLIGHT sheets. {E4 12:25.8; E4-EGG-23} edit

Open4 lines

OpenWhether Episode 3's end-black kitchen is this kitchen, some months earlier. {E4 S28 sound; E3 30:00} edit

IdeaIt is: someone is always choosing a watermelon here. {crew gather E4, 2026-10-22} edit

OpenWhether the family is tied to anyone from earlier episodes (the hallway painting, the blueprints, the fridge on A). {E4 5:27; S14; S28} edit

IdeaThe family is Rosie's kin: the painting is the original Crimson Coil, the mother draws in Teo's idiom, and the teacher they booked is the boy Rosie beat at Board 14. {EGGS_SWEEP} edit

The flat

At a glance