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Character sheet · Person

Teo Varga

E2E3E4 born about Y+16 Running

Alsolonghand; T.V.; DRN T.V.; the planner

A calm architect who livestreams EARTHLIGHT, a city for the Moon, by hand as longhand; his free sheets became Noor's base, his stamps move its robots, and on one night he voids her home and then redraws it with her; afterwards only his drawings, his initials and his lighthouse remain.

Show What the tiers mean

Teo on the Lantern facecam behind the boom mic, with Episode 1's eggs on his wall (the Crimson Coil print, the wizard hat, the mask); still Q-FC01, the facecam puppet's base Used
Teo on the Lantern facecam behind the boom mic, with Episode 1's eggs on his wall (the Crimson Coil print, the wizard hat, the mask); still Q-FC01, the facecam puppet's base {E2 00:16-20:01} edit
His face, close: the start frame of the push-in during the call (studio canon teo face, from Notion, not confirmed by Aaron) Used
His face, close: the start frame of the push-in during the call (studio canon teo face, from Notion, not confirmed by Aaron) {E2 26:37.5} edit
His hands, the way the film mostly shows him: drawing Noor in at 1:1 on Sheet 3 Rev B Used
His hands, the way the film mostly shows him: drawing Noor in at 1:1 on Sheet 3 Rev B {E2 27:57} edit

At a glance

Kind
Person
born
about Y+16Running {E2 WORLD_BIBLE §1: 44 on Episode 2's night}
In
E2 E3 E4 dashed: not released yet
Lines
151
File
characters/teo.md

Teo is Episode 2's calm voice: kind, precise, never the villain, and the most dangerous man in the series because whatever he stamps, the robots on the Moon build. He did not know a child lived there until she called. His tenderness only ever shows as precision: a timeline for one, a scale figure 1.38 m tall, a note that says no work on occupied modules, ever. After Episode 2 he survives as files and habits: his set is a download, his title block is a credits row, his Rev B note is a house rule, his lighthouse sweeps a stranger's wall, his wrong-way bus shelter stands in a park.

On the Y axisY0 = the night of Episode 1

E1E2~44Age at Episode 2: about 44 (Running assumption)E339–47Age at Episode 3: 39–47 (Open question)?E4~47Age at Episode 4: about 47 (Running assumption)Born about Y+16 (Running assumption)born about Y+16Y0: Not yet born; the room that will be his study is Episode 1's end room, its occupant never named.about Y+34..54: Twenty years of municipal work; his first project, a bus shelter by the harbour, faces the wrong way.about Y+54: Starts EARTHLIGHT live on longhand, every sheet free under an open licence; it spreads to about forty open-hardware repos.about Y+55..56: Tranquility Homestead builds Phase 1 from his Rev A/B sheets, uncredited, with a fleet that builds to his latest issued revision.about Y+60: Episode 2's night: he re-issues the whole set as Rev C, voids Sheet 3, takes a call from the Moon and issues Sheet 3 Rev B.Y+55..63: Episode 3's night: his Rev C full set and his bus-shelter drawing are ordinary downloads on a stranger's machine.about Y+63: Episode 4's night: old players sit out of the wind behind a bus shelter in a park.Y0Y+16Y+54Y+60Y+63
  • E2 about 44 Running
  • E3 39–47 Open
  • E4 about 47 Running

Ages at each episode come from the birth year and the episode's place on the axis, and are only as sure as the weaker of the two (their mark says which). Empty decades are drawn short, at the break marks. Teo Varga on the whole timeline →

Who21 lines

  • SteelA "moon city planner" on Earth drawing blueprints for colonising the Moon, livestreaming with TTS, live chat and a small facecam, filmed by a camera looking down at his desk. {Aaron E2 brief 2026-10-12} edit
  • SteelHe makes the stream for people on Earth and does not intend it to be watched from the Moon base. {Aaron E2 brief 2026-10-12} edit
  • SteelCalm and matter-of-fact about every risk, unintentionally brutal to the girl watching. {Aaron E2 brief 2026-10-12} edit
  • On screenDez calls him Teo. {E2 02:44} edit
  • RunningFull name Teo Varga; the surname is never on screen. {E2 WORLD_BIBLE §1} edit
  • On screenSigns every sheet DRN T.V. {E2 00:34} edit
  • Running44; an architect with twenty years of municipal work: bus shelters, crossings, small libraries. {E2 WORLD_BIBLE §1} edit
  • On screenHis first built project was a bus shelter by the harbour, installed facing the wrong way. {E2 07:24} edit
  • RunningHas drawn EARTHLIGHT live for six years as an art project: a city of 1,000 for the Mare Tranquillitatis pit. {E2 WORLD_BIBLE §1} edit
  • On screenGives every sheet away the minute he stamps it: "Free. Build whatever you like with them." {E2 01:58} edit
  • On screenKnows a phase one was built up there and that it is in its third year. {E2 06:07} edit
  • On screenWhen told people build from his sheets: "They do. That's the nicest thing you can do with a drawing." {E2 17:53} edit
  • RunningKnows Tranquility Homestead built Phase 1 from his free Rev A/B sheets, uncredited; proud, a little hurt. {E2 WORLD_BIBLE §1} edit
  • RunningDoes not know, until the call, that its fleet builds whatever he issues, that a child lives there, or that the crew left. {E2 WORLD_BIBLE §1} edit
  • On screenBelieves: "Nobody should be in it longer than two years." {E2 17:31} edit
  • On screenBelieves: "Officially, no child has ever been to space." "I'd never put a child in phase one." {E2 18:54; 19:04} edit
  • RunningBelieves nothing should be drawn that isn't true; a planner's job is deciding who can reach what. {E2 WORLD_BIBLE §1; Notion: Teo Varga} edit
  • On screenHis night tonight is "about eight hours". {E2 11:47} edit
  • RunningWhat he wanted that night: to draw the set properly, start to finish, and to undo phase one, which he believes was his mistake. {E2 MASTER_TREATMENT §3; 19:45} edit
  • IdeaFor our own reference, his inner life: he gives the sheets away so that nobody can ever say he kept the city from them, and so that he never has to build it. {lore crew 2026-10-22} edit
  • IdeaFor our own reference: he has never been further up than a fourth-floor library roof. {lore crew 2026-10-22} edit

Life on the Y axis8 lines

  • EggY0 Not yet born; the room that will be his study is Episode 1's end room, its occupant never named. {E1 29:05; E2 00:20} edit
  • Runningabout Y+16 Born (44 on Episode 2's night). {E2 WORLD_BIBLE §1} edit
  • Runningabout Y+34..54 Twenty years of municipal work; his first project, a bus shelter by the harbour, faces the wrong way. {E2 WORLD_BIBLE §1; 07:24} edit
  • Runningabout Y+54 Starts EARTHLIGHT live on longhand, every sheet free under an open licence; it spreads to about forty open-hardware repos. {E2 WORLD_BIBLE §1; 17:55} edit
  • Runningabout Y+55..56 Tranquility Homestead builds Phase 1 from his Rev A/B sheets, uncredited, with a fleet that builds to his latest issued revision. {E2 WORLD_BIBLE §10} edit
  • On screenabout Y+60 Episode 2's night: he re-issues the whole set as Rev C, voids Sheet 3, takes a call from the Moon and issues Sheet 3 Rev B. {E2 00:35; 19:58.72; 25:20; 28:13.6} edit
  • EggY+55..63 Episode 3's night: his Rev C full set and his bus-shelter drawing are ordinary downloads on a stranger's machine. {E3 2:14-2:21} edit
  • Eggabout Y+63 Episode 4's night: old players sit out of the wind behind a bus shelter in a park. {E4 15:38} edit

By episode70 lines

  • On screenGoes live: "Evening." "Title block first. Everything starts with a title block." {E2 00:12-00:14} edit
  • On screenLetters EARTHLIGHT: "Most cities grow around a river. This one grows around a window." {E2 00:24-00:28} edit
  • On screen"So. Sheet one, the site. Tonight, the whole set again, properly." {E2 00:35} edit
  • On screenGets the cave depth wrong ("about a hundred and fifty metres"), then: "regolith_rob is right... Let's put that down properly." {E2 01:13-01:27} edit
  • On screen"Those are the stamps. Every sheet goes up the minute I stamp it. Free." {E2 01:54-01:58} edit
  • On screen"A moon building is a balloon wearing a coat." {E2 02:27} edit
  • On screenGreets Dez with one word: "Dez." {E2 02:54} edit
  • EggIn the pause after "Dez." he draws a tiny one-window cabin on the pit's west rim, dabs its window orange and rubs it out without a word; the orange never comes off. {E2 02:57.5-03:02; 29:15} edit
  • On screenStamps Sheet 2 ISSUED: "So the landings don't sandblast everything. Issued for construction." MOLE-1 wakes on the Moon. {E2 03:24-03:31} edit
  • On screen"Where's everybody watching from tonight?" ... "Somebody's always on the moon." {E2 04:00-04:17} edit
  • On screenWrites Note 9 on Sheet 3: "Every module should have its end written on it from day one. You vent it last." {E2 05:19-05:27} edit
  • On screen"That's fine." about a headache's odds, and again about one to five square metres of plants. {E2 05:08; 08:09} edit
  • On screen"This line is today. The phase one they built up there is in its third year." {E2 06:07} edit
  • On screenTells the bus-shelter story: "Nobody checked the drawing. That box has been empty my whole career." {E2 07:20-07:49} edit
  • On screenStamps Sheet 4, the greenhouse, ISSUED; DRAY floods the bare ribs. {E2 08:18-08:20} edit
  • On screenSays nothing for three seconds after the HAB 2 push-in; "...Let's talk about food." {E2 09:13-09:16} edit
  • On screen"Questions while I draw. Anything at all." Then answers tps_hab3: "Here? About eight hours tonight. Where we're building... three hundred and fifty-four." {E2 11:18-11:50} edit
  • On screen"Thank you, Aaron. The tea house is phase three. We'll get there." {E2 12:25} edit
  • On screenFor Maisie: "Tell her gates are lonely... until somebody walks through." {E2 12:42} edit
  • On screen"The ones that land in one piece... die from the night. You put them to sleep. And they just don't wake up." {E2 12:53-13:04} edit
  • On screenTo "they always come back": "Sometimes they do." {E2 13:31} edit
  • On screen"Let me just draw for a while." A minute of silent drawing, Sheet 7, the tunnels. {E2 13:40-14:40} edit
  • On screen"Honestly? The environment. You can't draw it. I'll just tell you." {E2 14:52} edit
  • On screenTips the oak table model: "What's on the table?" ... "Nothing." {E2 16:50-17:00} edit
  • On screenFlies his white model of phase one: "Small. Temporary." ... "Hab three." {E2 17:17-17:38} edit
  • On screen"The gloves take your fingernails. It's a known line item." "Sizes. Small, medium, large. Adult." {E2 18:19-18:25} edit
  • On screenReads PAWN's Kxe8: "That's not a legal move." {E2 18:37} edit
  • On screen"No moon kids, Maisie." ... "So, no recess. Not for a while." {E2 18:54-19:11} edit
  • On screen"Honestly... I've been thinking about pulling phase one entirely. Sheet three. It was always the weak sheet." {E2 19:16-19:23} edit
  • On screenDoes not react to please dont void sheet 3 or please; he is looking at the paper. {E2 19:17; 19:50} edit
  • On screen"Phase one is where I went wrong. Nobody should ever have to live in phase one. Let's start it again." Stamps Sheet 3 VOID. {E2 19:45-19:58.72} edit
  • On screenIn the facecam he regards the stamp. {E2 19:58.72} edit
  • On screenAnswers PE_tamsin's question by reading Note 9 aloud as the order of decommissioning, ending "You vent it last. Always last." {E2 20:04-21:11} edit
  • On screenDraws a new phase one underground: "In the new phase one there are no windows at all. Cameras. Much safer." {E2 21:58-22:29} edit
  • On screen"The line's open, if anyone wants to ask about the new phase one." {E2 25:08} edit
  • On screen"Line two... you're on." {E2 25:20.6} edit
  • On screen"Sheet three? I did. Phase one was the wrong idea. Nobody should live in it." {E2 25:32} edit
  • On screen"Could you mute the stream on your end? You'll hear yourself late." {E2 26:01} edit
  • On screen"Is anyone with you?" ... "Where is everyone?" {E2 26:16; 26:27} edit
  • On screenReceives "That was eleven days ago."; the push-in on his face: the small smile goes out, he blinks, the lighthouse crosses his face. {E2 26:37-26:42} edit
  • On screen"Okay. Let's put it back. Sheet three, revision B. You tell me what's wrong with it." Title block first, out of habit. {E2 26:45-26:50} edit
  • On screen"I did say three." "That's a long way down." {E2 27:06-27:09} edit
  • On screenDraws her timeline for one: "It's not long." {E2 27:13-27:30} edit
  • On screenTo Dez's "only three days away": "It's three days once you've launched." {E2 27:20} edit
  • On screenTo "Who do we call?": "Nobody yet. So I'm drawing." {E2 27:39} edit
  • On screen"You'd make sunrise. Just." {E2 27:42} edit
  • On screen"Every drawing needs a person in it. For scale. How tall are you?" Draws her at 1:1. {E2 27:47-27:58} edit
  • On screen"Who checked this?" Letters CHK: N. {E2 28:00-28:05} edit
  • On screenLetters the general note NO WORK ON OCCUPIED MODULES. EVER. {E2 28:10} edit
  • On screen"I'm stamping it now. It'll reach you in a second and a bit." "Issued for construction." {E2 28:06-28:13.6} edit
  • RunningBy Rev B he has understood that the fleet obeys his issued sheets: its notes order the plant to cold sleep and MOLE-1 to her tunnel. {E2 28:10; inference} edit
  • On screen"And that's the whole city. Small, for now." {E2 29:04} edit
  • On screenOn Sheet 1 rubs out POP. 13, letters 14, draws a revision cloud with a triangle 1 and initials it. {E2 29:15-29:30} edit
  • On screen"That's the stream. Thank you for sitting with me. I'm going to leave it on." {E2 29:25} edit
  • On screen"Goodnight.", the last clean word; 1.28 s later her iPad answers "Good-". {E2 29:58.34; 29:59.62} edit
  • Egggrandma_rosie asks him to "stay up for her, love"; her lines are never read aloud, and he never sees it. {E2 27:51.6} edit
E3

Context Window

not released yet
  • EggEARTHLIGHT_rev_c_full_set.pdf and bus_shelter_FINAL_final.dwg in ~/Downloads, beside the Homestead anthem. {E3 2:14-2:21; E3-EGG-02} edit
  • RunningA resident's letter about the wrong-way shelter, Documents/letter_about_the_bus_shelter.docx, was planted in the sim's home folder; on screen unchecked. {E3 plan/SIM_WORLD.md §4.1} edit
  • RunningRev C, issued on Episode 2's night, being a download is one of three eggs that place Episode 3 after Episode 2. {E3-EGG-02; EGGS_SWEEP contradictions} edit
  • EggDrawn ........ T.V. in Bea's credits sheet and the stadium credits. {E3 17:07-17:14; 26:39} edit
  • EggRULES.md line 6, No work on occupied modules, ever., is his Rev B note. {E3 1:25-2:09} edit
  • EggA lighthouse band sweeps the wall of the one man who paid, as it swept Teo's window (barely visible in Revision 1). {E3 26:44; E3-EGG-39} edit
  • EggThe VOID stamp and its THUNK, the same red, on the submission form; PAID on the man's tap. {E3 25:11; 26:55.8; E3-EGG-33} edit
  • Eggq's oak-table cases (a mug, a ledger, keys; tipped; set upright) quote his tipped table. {E3 8:03; 16:13; 29:16} edit
  • RunningNever mentioned; whether he still lives near the end room is never said. {WORLD_TIMELINE} edit
  • Running(Revision 2 world) His Rev B note is rule 6 of a house rulebook signed A.H. {E3 rev2 world RULES.md} edit
E4

Touch Move

not released yet
  • EggOld players sit out of the wind behind a bus shelter at the park; that it faces the wrong way does not read. {E4 15:38; E4-EGG-14} edit
  • EggThe boy's blueprint rooks, white line on Prussian blue with orange redlines and a blank title block, look like his sheets. {E4 12:25.8; E4-EGG-23} edit
  • On screenThe boy's mother's rolled drawings on the real table are white on Prussian blue with orange redlines. {E4 S28} edit
  • Egg"Goodnight." as the last word. {E4 29:58.00} edit

Look11 lines

  • On screenOn the desk only his cut-out hands and grey cardigan cuffs. {E2 00:22} edit
  • On screenA facecam top-right behind a boom mic whose round pop filter hides his mouth and chin in every frame. {E2 00:16} edit
  • RunningKind, tired face; short dark-brown hair grey at the temples; a short tidy beard flecked grey; thin round wire glasses. {E2 WORLD_BIBLE §1} edit
  • RunningHeather-grey cardigan over an oatmeal T-shirt; a plain steel watch on a brown strap, left wrist. {E2 WORLD_BIBLE §1} edit
  • On screenBehind him, soft focus: rolled drawings, a pinboard, a framed print, a dark window where a distant lighthouse sweeps. {E2 00:20} edit
  • On screenHis face fills the frame once, lips closed behind the mic. {E2 26:37-26:42} edit
  • RunningThat push-in face reads a little greyer and fuller than the facecam stills. {E2 QA story #13} edit
  • On screenThe desk: oak, a lamp top-left, a mug of black coffee, an E.M. sticky tally, technical pens, an orange paint marker, two red rubber stamps, a little oak table model. {E2 29:15} edit
  • On screenThe coffee clock: poured at 00:40, refilled 12:10 and 19:30, cold at 29:15. {E2 00:40-29:15} edit
  • RunningHis drawings: white ink on Prussian blue, orange paint-marker redlines for bad news, his own single-stroke lettering. {E2 HOW_IT_WAS_MADE} edit
  • IdeaFor our own reference, off camera: socks with sandals in the study, a pencil behind the ear he forgets is there. {lore crew 2026-10-22} edit

Voice7 lines

  • Steel"Smooth and calm and matter-of-factly as if he is showing off his art project." {Aaron E2 brief 2026-10-12} edit
  • RunningWarm low baritone, about 140 wpm, designed voice J3v5Plab1aZBFbMMNoDT; never "um". {E2 WORLD_BIBLE §1} edit
  • RunningNever laughs aloud: a breath through the nose instead. {E2 WORLD_BIBLE §1; 04:17} edit
  • On screenHabits: "So." to start a sheet; "Lovely." when a line comes out straight; "That's fine." when something is terrible; "Let's put that down properly."; "Thank you, Nightbot."; "Honestly" before the worst facts. {E2 00:35-19:16} edit
  • On screenReads handles in full and correctly: "pawn.hab3 opens with e4. Classic." {E2 02:32} edit
  • On screenAnswers a joke with a fact ("Mostly oxygen, actually.") and takes a troll's "sounds like an audiobook" as a compliment ("Thank you."). {E2 04:30; 09:47} edit
  • IdeaThe caller's "Okay. That's fine." in Episode 1 could be the root of his "That's fine." {E1 09:13; 23:16; E1 gather} edit

Ties21 lines

Must stay true5 lines

  • RunningNever the villain; his kindness is the weapon. {E2 MASTER_TREATMENT §0.2} edit
  • RunningHis tenderness only ever shows as precision. {E2 WORLD_BIBLE §1} edit
  • RunningNever winks, jokes at a viewer's expense, says "AI" or introduces himself. {E2 WORLD_BIBLE §1} edit
  • On screenHe did not know she was there until the call. {E2 25:20} edit
  • On screenHis mouth is never seen. {E2 00:16-29:58} edit

Open8 lines

  • OpenDoes Teo recur? {Notion: Teo} edit
  • OpenWhy he hides a house like the television painter, and whether he knows of him. {E2 WORLD_BIBLE §13} edit
  • IdeaThe end room was the caller's on Y0; Teo rented it sixty years later (a coast town: the lighthouse); the man who paid sleeps in it now. {EGGS_SWEEP "The end room"} edit
  • OpenWhether he still lives in the end room by Episode 3's night, where it is the room of the one man who paid. {WORLD_TIMELINE} edit
  • OpenWhether he ever meets Noor or Rosie off the stream, or learns the girl's grandmother was in his chat. {E2; lore crew 2026-10-22} edit
  • OpenWhether Episode 4's boy's mother is connected to him. {E4 S14} edit
  • IdeaPut Episode 4's park in Teo's town: the shelter still stands wrong, and Daniel Fenn plays behind it. {EGGS_SWEEP} edit
  • IdeaA later episode lets him stamp VOID on SMASH DAILY. {EGGS_SWEEP "Stamps"} edit

Every line on this page is drawn from the lore: 153 sheets and 8,338 lines of Markdown in Aaron's series repo, each with exactly one tier. Change a line there and run lore.py publish, and every page of this course follows (this copy: built 23 October 2026 from 3ab0458).

Sources are in braces: {E2 25:20} is Episode 2 at 25:20, {E4 S17} a scene, {Aaron 2026-10-22} a decision of Aaron's. “edit” opens the line in the series repo, which is private: it works for Aaron and the crews; the sources are everyone's. Everything that isn't steel is free to change.