A calm architect who livestreams EARTHLIGHT, a city for the Moon, by hand as longhand; his free sheets became Noor's base, his stamps move its robots, and on one night he voids her home and then redraws it with her; afterwards only his drawings, his initials and his lighthouse remain.
Teo on the Lantern facecam behind the boom mic, with Episode 1's eggs on his wall (the Crimson Coil print, the wizard hat, the mask); still Q-FC01, the facecam puppet's base{E2 00:16-20:01}edit
Used
His face, close: the start frame of the push-in during the call (studio canon teo face, from Notion, not confirmed by Aaron){E2 26:37.5}edit
Used
His hands, the way the film mostly shows him: drawing Noor in at 1:1 on Sheet 3 Rev B{E2 27:57}edit
At a glance
Kind
Person
born
about Y+16Running {E2 WORLD_BIBLE §1: 44 on Episode 2's night}
Teo is Episode 2's calm voice: kind, precise, never the villain, and the most dangerous man in the series because whatever he stamps, the robots on the Moon build. He did not know a child lived there until she called. His tenderness only ever shows as precision: a timeline for one, a scale figure 1.38 m tall, a note that says no work on occupied modules, ever. After Episode 2 he survives as files and habits: his set is a download, his title block is a credits row, his Rev B note is a house rule, his lighthouse sweeps a stranger's wall, his wrong-way bus shelter stands in a park.
Ages at each episode come from the birth year and the episode's place on the axis, and are only as sure as the weaker of the two (their mark says which). Empty decades are drawn short, at the break marks. Teo Varga on the whole timeline →
Who21 lines
SteelA "moon city planner" on Earth drawing blueprints for colonising the Moon, livestreaming with TTS, live chat and a small facecam, filmed by a camera looking down at his desk. {Aaron E2 brief 2026-10-12}edit
SteelHe makes the stream for people on Earth and does not intend it to be watched from the Moon base. {Aaron E2 brief 2026-10-12}edit
SteelCalm and matter-of-fact about every risk, unintentionally brutal to the girl watching. {Aaron E2 brief 2026-10-12}edit
RunningFull name Teo Varga; the surname is never on screen. {E2 WORLD_BIBLE §1}edit
On screenSigns every sheet DRN T.V. {E2 00:34}edit
Running44; an architect with twenty years of municipal work: bus shelters, crossings, small libraries. {E2 WORLD_BIBLE §1}edit
On screenHis first built project was a bus shelter by the harbour, installed facing the wrong way. {E2 07:24}edit
RunningHas drawn EARTHLIGHT live for six years as an art project: a city of 1,000 for the Mare Tranquillitatis pit. {E2 WORLD_BIBLE §1}edit
On screenGives every sheet away the minute he stamps it: "Free. Build whatever you like with them." {E2 01:58}edit
On screenKnows a phase one was built up there and that it is in its third year. {E2 06:07}edit
On screenWhen told people build from his sheets: "They do. That's the nicest thing you can do with a drawing." {E2 17:53}edit
RunningKnows Tranquility Homestead built Phase 1 from his free Rev A/B sheets, uncredited; proud, a little hurt. {E2 WORLD_BIBLE §1}edit
RunningDoes not know, until the call, that its fleet builds whatever he issues, that a child lives there, or that the crew left. {E2 WORLD_BIBLE §1}edit
On screenBelieves: "Nobody should be in it longer than two years." {E2 17:31}edit
On screenBelieves: "Officially, no child has ever been to space." "I'd never put a child in phase one." {E2 18:54; 19:04}edit
RunningBelieves nothing should be drawn that isn't true; a planner's job is deciding who can reach what. {E2 WORLD_BIBLE §1; Notion: Teo Varga}edit
On screenHis night tonight is "about eight hours". {E2 11:47}edit
RunningWhat he wanted that night: to draw the set properly, start to finish, and to undo phase one, which he believes was his mistake. {E2 MASTER_TREATMENT §3; 19:45}edit
IdeaFor our own reference, his inner life: he gives the sheets away so that nobody can ever say he kept the city from them, and so that he never has to build it. {lore crew 2026-10-22}edit
IdeaFor our own reference: he has never been further up than a fourth-floor library roof. {lore crew 2026-10-22}edit
Life on the Y axis8 lines
EggY0 Not yet born; the room that will be his study is Episode 1's end room, its occupant never named. {E1 29:05; E2 00:20}edit
Runningabout Y+16 Born (44 on Episode 2's night). {E2 WORLD_BIBLE §1}edit
Runningabout Y+34..54 Twenty years of municipal work; his first project, a bus shelter by the harbour, faces the wrong way. {E2 WORLD_BIBLE §1; 07:24}edit
Runningabout Y+54 Starts EARTHLIGHT live on longhand, every sheet free under an open licence; it spreads to about forty open-hardware repos. {E2 WORLD_BIBLE §1; 17:55}edit
Runningabout Y+55..56 Tranquility Homestead builds Phase 1 from his Rev A/B sheets, uncredited, with a fleet that builds to his latest issued revision. {E2 WORLD_BIBLE §10}edit
On screenabout Y+60 Episode 2's night: he re-issues the whole set as Rev C, voids Sheet 3, takes a call from the Moon and issues Sheet 3 Rev B. {E2 00:35; 19:58.72; 25:20; 28:13.6}edit
EggY+55..63 Episode 3's night: his Rev C full set and his bus-shelter drawing are ordinary downloads on a stranger's machine. {E3 2:14-2:21}edit
Eggabout Y+63 Episode 4's night: old players sit out of the wind behind a bus shelter in a park. {E4 15:38}edit
On screenGoes live: "Evening." "Title block first. Everything starts with a title block." {E2 00:12-00:14}edit
On screenLetters EARTHLIGHT: "Most cities grow around a river. This one grows around a window." {E2 00:24-00:28}edit
On screen"So. Sheet one, the site. Tonight, the whole set again, properly." {E2 00:35}edit
On screenGets the cave depth wrong ("about a hundred and fifty metres"), then: "regolith_rob is right... Let's put that down properly." {E2 01:13-01:27}edit
On screen"Those are the stamps. Every sheet goes up the minute I stamp it. Free." {E2 01:54-01:58}edit
On screen"A moon building is a balloon wearing a coat." {E2 02:27}edit
On screenGreets Dez with one word: "Dez." {E2 02:54}edit
EggIn the pause after "Dez." he draws a tiny one-window cabin on the pit's west rim, dabs its window orange and rubs it out without a word; the orange never comes off. {E2 02:57.5-03:02; 29:15}edit
On screenStamps Sheet 2 ISSUED: "So the landings don't sandblast everything. Issued for construction." MOLE-1 wakes on the Moon. {E2 03:24-03:31}edit
On screen"Where's everybody watching from tonight?" ... "Somebody's always on the moon." {E2 04:00-04:17}edit
On screenWrites Note 9 on Sheet 3: "Every module should have its end written on it from day one. You vent it last." {E2 05:19-05:27}edit
On screen"That's fine." about a headache's odds, and again about one to five square metres of plants. {E2 05:08; 08:09}edit
On screen"This line is today. The phase one they built up there is in its third year." {E2 06:07}edit
On screenTells the bus-shelter story: "Nobody checked the drawing. That box has been empty my whole career." {E2 07:20-07:49}edit
On screenStamps Sheet 4, the greenhouse, ISSUED; DRAY floods the bare ribs. {E2 08:18-08:20}edit
On screenSays nothing for three seconds after the HAB 2 push-in; "...Let's talk about food." {E2 09:13-09:16}edit
On screen"Questions while I draw. Anything at all." Then answers tps_hab3: "Here? About eight hours tonight. Where we're building... three hundred and fifty-four." {E2 11:18-11:50}edit
On screen"Thank you, Aaron. The tea house is phase three. We'll get there." {E2 12:25}edit
On screenFor Maisie: "Tell her gates are lonely... until somebody walks through." {E2 12:42}edit
On screen"The ones that land in one piece... die from the night. You put them to sleep. And they just don't wake up." {E2 12:53-13:04}edit
On screenTo "they always come back": "Sometimes they do." {E2 13:31}edit
On screen"Let me just draw for a while." A minute of silent drawing, Sheet 7, the tunnels. {E2 13:40-14:40}edit
On screen"Honestly? The environment. You can't draw it. I'll just tell you." {E2 14:52}edit
On screenTips the oak table model: "What's on the table?" ... "Nothing." {E2 16:50-17:00}edit
On screenFlies his white model of phase one: "Small. Temporary." ... "Hab three." {E2 17:17-17:38}edit
On screen"The gloves take your fingernails. It's a known line item." "Sizes. Small, medium, large. Adult." {E2 18:19-18:25}edit
On screenReads PAWN's Kxe8: "That's not a legal move." {E2 18:37}edit
On screen"No moon kids, Maisie." ... "So, no recess. Not for a while." {E2 18:54-19:11}edit
On screen"Honestly... I've been thinking about pulling phase one entirely. Sheet three. It was always the weak sheet." {E2 19:16-19:23}edit
On screenDoes not react to please dont void sheet 3 or please; he is looking at the paper. {E2 19:17; 19:50}edit
On screen"Phase one is where I went wrong. Nobody should ever have to live in phase one. Let's start it again." Stamps Sheet 3 VOID. {E2 19:45-19:58.72}edit
On screenIn the facecam he regards the stamp. {E2 19:58.72}edit
On screenAnswers PE_tamsin's question by reading Note 9 aloud as the order of decommissioning, ending "You vent it last. Always last." {E2 20:04-21:11}edit
On screenDraws a new phase one underground: "In the new phase one there are no windows at all. Cameras. Much safer." {E2 21:58-22:29}edit
On screen"The line's open, if anyone wants to ask about the new phase one." {E2 25:08}edit
On screen"Line two... you're on." {E2 25:20.6}edit
On screen"Sheet three? I did. Phase one was the wrong idea. Nobody should live in it." {E2 25:32}edit
On screen"Could you mute the stream on your end? You'll hear yourself late." {E2 26:01}edit
On screen"Is anyone with you?" ... "Where is everyone?" {E2 26:16; 26:27}edit
On screenReceives "That was eleven days ago."; the push-in on his face: the small smile goes out, he blinks, the lighthouse crosses his face. {E2 26:37-26:42}edit
On screen"Okay. Let's put it back. Sheet three, revision B. You tell me what's wrong with it." Title block first, out of habit. {E2 26:45-26:50}edit
On screen"I did say three." "That's a long way down." {E2 27:06-27:09}edit
On screenDraws her timeline for one: "It's not long." {E2 27:13-27:30}edit
On screenTo Dez's "only three days away": "It's three days once you've launched." {E2 27:20}edit
On screenTo "Who do we call?": "Nobody yet. So I'm drawing." {E2 27:39}edit
On screen"You'd make sunrise. Just." {E2 27:42}edit
On screen"Every drawing needs a person in it. For scale. How tall are you?" Draws her at 1:1. {E2 27:47-27:58}edit
On screen"Who checked this?" Letters CHK: N. {E2 28:00-28:05}edit
On screenLetters the general note NO WORK ON OCCUPIED MODULES. EVER. {E2 28:10}edit
On screen"I'm stamping it now. It'll reach you in a second and a bit." "Issued for construction." {E2 28:06-28:13.6}edit
RunningBy Rev B he has understood that the fleet obeys his issued sheets: its notes order the plant to cold sleep and MOLE-1 to her tunnel. {E2 28:10; inference}edit
On screen"And that's the whole city. Small, for now." {E2 29:04}edit
On screenOn Sheet 1 rubs out POP. 13, letters 14, draws a revision cloud with a triangle 1 and initials it. {E2 29:15-29:30}edit
On screen"That's the stream. Thank you for sitting with me. I'm going to leave it on." {E2 29:25}edit
On screen"Goodnight.", the last clean word; 1.28 s later her iPad answers "Good-". {E2 29:58.34; 29:59.62}edit
Egggrandma_rosie asks him to "stay up for her, love"; her lines are never read aloud, and he never sees it. {E2 27:51.6}edit
EggEARTHLIGHT_rev_c_full_set.pdf and bus_shelter_FINAL_final.dwg in ~/Downloads, beside the Homestead anthem. {E3 2:14-2:21; E3-EGG-02}edit
RunningA resident's letter about the wrong-way shelter, Documents/letter_about_the_bus_shelter.docx, was planted in the sim's home folder; on screen unchecked. {E3 plan/SIM_WORLD.md §4.1}edit
RunningRev C, issued on Episode 2's night, being a download is one of three eggs that place Episode 3 after Episode 2. {E3-EGG-02; EGGS_SWEEP contradictions}edit
EggDrawn ........ T.V. in Bea's credits sheet and the stadium credits. {E3 17:07-17:14; 26:39}edit
EggRULES.md line 6, No work on occupied modules, ever., is his Rev B note. {E3 1:25-2:09}edit
EggA lighthouse band sweeps the wall of the one man who paid, as it swept Teo's window (barely visible in Revision 1). {E3 26:44; E3-EGG-39}edit
EggThe VOID stamp and its THUNK, the same red, on the submission form; PAID on the man's tap. {E3 25:11; 26:55.8; E3-EGG-33}edit
Eggq's oak-table cases (a mug, a ledger, keys; tipped; set upright) quote his tipped table. {E3 8:03; 16:13; 29:16}edit
RunningNever mentioned; whether he still lives near the end room is never said. {WORLD_TIMELINE}edit
Running(Revision 2 world) His Rev B note is rule 6 of a house rulebook signed A.H. {E3 rev2 world RULES.md}edit
EggOld players sit out of the wind behind a bus shelter at the park; that it faces the wrong way does not read. {E4 15:38; E4-EGG-14}edit
EggThe boy's blueprint rooks, white line on Prussian blue with orange redlines and a blank title block, look like his sheets. {E4 12:25.8; E4-EGG-23}edit
On screenThe boy's mother's rolled drawings on the real table are white on Prussian blue with orange redlines. {E4 S28}edit
Egg"Goodnight." as the last word. {E4 29:58.00}edit
Look11 lines
On screenOn the desk only his cut-out hands and grey cardigan cuffs. {E2 00:22}edit
On screenA facecam top-right behind a boom mic whose round pop filter hides his mouth and chin in every frame. {E2 00:16}edit
RunningKind, tired face; short dark-brown hair grey at the temples; a short tidy beard flecked grey; thin round wire glasses. {E2 WORLD_BIBLE §1}edit
RunningHeather-grey cardigan over an oatmeal T-shirt; a plain steel watch on a brown strap, left wrist. {E2 WORLD_BIBLE §1}edit
On screenBehind him, soft focus: rolled drawings, a pinboard, a framed print, a dark window where a distant lighthouse sweeps. {E2 00:20}edit
On screenHis face fills the frame once, lips closed behind the mic. {E2 26:37-26:42}edit
RunningThat push-in face reads a little greyer and fuller than the facecam stills. {E2 QA story #13}edit
On screenThe desk: oak, a lamp top-left, a mug of black coffee, an E.M. sticky tally, technical pens, an orange paint marker, two red rubber stamps, a little oak table model. {E2 29:15}edit
On screenThe coffee clock: poured at 00:40, refilled 12:10 and 19:30, cold at 29:15. {E2 00:40-29:15}edit
RunningHis drawings: white ink on Prussian blue, orange paint-marker redlines for bad news, his own single-stroke lettering. {E2 HOW_IT_WAS_MADE}edit
IdeaFor our own reference, off camera: socks with sandals in the study, a pencil behind the ear he forgets is there. {lore crew 2026-10-22}edit
Voice7 lines
Steel"Smooth and calm and matter-of-factly as if he is showing off his art project." {Aaron E2 brief 2026-10-12}edit
RunningWarm low baritone, about 140 wpm, designed voice J3v5Plab1aZBFbMMNoDT; never "um". {E2 WORLD_BIBLE §1}edit
RunningNever laughs aloud: a breath through the nose instead. {E2 WORLD_BIBLE §1; 04:17}edit
On screenHabits: "So." to start a sheet; "Lovely." when a line comes out straight; "That's fine." when something is terrible; "Let's put that down properly."; "Thank you, Nightbot."; "Honestly" before the worst facts. {E2 00:35-19:16}edit
On screenReads handles in full and correctly: "pawn.hab3 opens with e4. Classic." {E2 02:32}edit
On screenAnswers a joke with a fact ("Mostly oxygen, actually.") and takes a troll's "sounds like an audiobook" as a compliment ("Thank you."). {E2 04:30; 09:47}edit
IdeaThe caller's "Okay. That's fine." in Episode 1 could be the root of his "That's fine." {E1 09:13; 23:16; E1 gather}edit
OpenWhy he hides a house like the television painter, and whether he knows of him. {E2 WORLD_BIBLE §13}edit
IdeaThe end room was the caller's on Y0; Teo rented it sixty years later (a coast town: the lighthouse); the man who paid sleeps in it now. {EGGS_SWEEP "The end room"}edit
OpenWhether he still lives in the end room by Episode 3's night, where it is the room of the one man who paid. {WORLD_TIMELINE}edit
OpenWhether he ever meets Noor or Rosie off the stream, or learns the girl's grandmother was in his chat. {E2; lore crew 2026-10-22}edit
OpenWhether Episode 4's boy's mother is connected to him. {E4 S14}edit
IdeaPut Episode 4's park in Teo's town: the shelter still stands wrong, and Daniel Fenn plays behind it. {EGGS_SWEEP}edit
IdeaA later episode lets him stamp VOID on SMASH DAILY. {EGGS_SWEEP "Stamps"}edit