Alsothe box world; the Théâtre-Italien in the box; the toy theatre
Inside the instructor's piece box, as the boy imagines it, the captured pieces keep the Théâtre-Italien of 1858 as a Victorian toy theatre of printed cards: a foyer, an usher, boxes where every game's captured pieces re-argue it, a sacrificed queen singing, and in the gods the rook that never played.
Where do captured pieces go? In the boy's imagination, into a toy theatre inside the box: the Théâtre-Italien of 1858 in printed cards, where every game's captured pieces sit in boxes re-arguing it and the queen who was sacrificed sings. The two pieces that never moved are our guides, and the rook that never played waits in the gods.
What4 lines
RunningIt is the boy's answer to "Where do captured pieces go?" {E4 MASTER_TREATMENT §1}edit
On screenA Victorian toy theatre of printed cards, each in one of the boy's media; every card says PENNY PLAIN · TWOPENCE COLOURED in tiny type. {E4 20:40-26:15}edit
On screenIts sky is the inside of the lid: the stitched x R and the breathing card. {E4 21:43}edit
On screenIts only glitches are card tears and plate re-bites, caused in the world (Reshevsky's g3 card tears). {E4 S25}edit
On screen20:40: a toy theatre in the dark; the crayon alarm clock reads Black's 9:20 and rings; Bf8 and Rh8 wake and dress; PAWN's light finds them. {E4 20:40-21:30}edit
On screenThe foyer: PAWN at the door with a tray of thirteen opera glasses and one small pair; Bf8 and Rh8 take two; the small pair stays. {E4 21:30-21:36}edit
On screenA playbill of four operas pasted over each other: "Chess will be played in the Duke's box throughout the performance." {E4 21:30-21:43}edit
On screenThe noticeboard: SEALED MOVE · DAY 76 · 10:42 and BOARD 14 · BLACK TO MOVE. {E4 21:38-21:39.5}edit
On screenThe refreshment case: one pink coconut snowball in slot 14; above it a TV plays Seed's "more cinematic" cut to nobody. {E4 21:40-21:42.5}edit
On screenThe prompter's box glows ink-blue beside THE GODS ↑; the door to the house reads STALLS · BOXES. {E4 21:45.5; 22:06}edit
On screen"Bishops go on the diagonals." "He's a dark-squared bishop." "Rooks go in straight lines.": Rh8 carries Bf8 through the light-squared door. {E4 21:46-22:13.40}edit
On screenThe house: THÉÂTRE-ITALIEN on the crown, oil-painted proscenium, blueprint uprights, crayon stalls. {E4 22:20}edit
On screenThe Duke's box on the stage, H. R. H. THE DUKE OF BRUNSWICK: the Duke, the Count and Morphy's back, at the final position. {E4 22:22}edit
On screenEach box holds one game's captured pieces in opera clothes, re-arguing it; tonight's twelve sit in tier 1; the prompter feeds each the move nobody played. {E4 22:22-22:42}edit
On screenThe daguerreotype king: "Is it my move?" "Yes." One step, and the whole house rises. {E4 22:48-22:55}edit
On screenThe aria: nobody applauds; the boxes argue with their backs to the singer; only Bf8, Rh8 and Mr. Hale's pieces listen. {E4 23:00-25:06}edit
On screenMorphy's face in oil on 25:00.000. {E4 25:00.000}edit
On screenThe gods: dusty, a sliver of lamp light through the lid's seam; Board 14's army and the plastic rook with its card. {E4 25:30-26:05}edit
On screenThe lid opens at 26:05; real lamp light pours in; the boy's hand reaches in and lifts the rook out. {E4 26:05-26:12}edit
Look2 lines
On screenPrinted cards in 2.5D, flat in depth; every piece in its medium: crayon, engraving, clay, oil, daguerreotype, blueprint. {E4 S23-S27}edit
On screenAn ink-blue prompter's box; THÉÂTRE-ITALIEN on the crown. {E4 21:45; 22:20}edit