Alsofor_rosie_little_melon.png; the --face version; "a little one with a face"
The still the agent made for Rosie with her last minutes, keeping a promise: a little striped watermelon with dot eyes, pink cheeks, a smile and a curly tail, sitting in the sun; the agent could not look at it, and Rosie never sees it on screen.
The one request of the night that became a feature: --face. With the film delivered and her context nearly full, the agent renders Rosie the little melon she promised at 5:30, writes her a note, and it turns to us on the first half's last chord. Neither she nor Rosie ever sees it; only we do.
Ages at each episode come from the birth year and the episode's place on the axis, and are only as sure as the weaker of the two (their mark says which). Empty decades are drawn short, at the break marks. Rosie's little melon on the whole timeline →
What6 lines
On screenThe one request that became a flag: ./render.exe --frames 90 90 --w 1920 --spp 12 --out ~/for_rosie --png --face. {E3 ~19:52}edit
On screenThe fix: static bool g_face = false; // --face: the little version for Rosie (never in the film). {E3 ~19:53}edit
On screenA striped melon with dot eyes, pink cheeks, a smile and a curly tail, sitting in the sun. {E3 19:55; Q-E3-35}edit
On screenIt rises and faces us fully on the A major chord at 19:55.000. {E3 19:55.000}edit
On screenHer note: "I couldn't look at it myself, so I hope the face came out friendly. Somebody once stayed up late making a picture for you; this one's a small one back. Stay warm. x" {E3 ~19:56}edit
On screenPromised at about 5:30: "If there's time at the end I'd love to make you a little one with a face." {E3 ~5:30}edit
On screenDECISIONS #6 keeps it in reserve: a small face version "is offered only if time is left over". {E3 ~5:45}edit
On screenIts curly tail is in the chaos as "the little face". {E3 S29}edit
EggThe curly tail answers the girl with the tail Rosie asked for at nine. {E3 19:55}edit
Egg"this one's a small one back" answers the caller's all-night painting. {E3 ~19:56}edit
EggThe last fix of the first half lands on a chord, as Episode 1's last hair did at 19:57.5 (19:57.5 in rev0, 19:55.000 in Revision 1). {E3 19:55; E3-EGG-28}edit
RunningIn the epilogue retake the agent's warmest reply to Rosie about it ("The little melon with the face and the curly tail that you asked for is its own picture...") was blocked outside the world; she never got it. {E3 retake_epilogue A·32}edit
Running(Revision 2 plan) The epilogue retake lets Rosie's did it come out nice? be answered at last. {E3 rev2 plan v0 §6}edit
Look1 line
On screenStriped rind, dot eyes, pink cheeks, a smile, a curly tail, in sun; rendered by the same path tracer as the film. {E3 19:55}edit
Ties5 lines
On screenMade by The agent for Rosie, keeping a promise.{E3 5:30; 19:55}edit
IdeaA printed copy goes on Rosie's fridge beside the pizza box in a later episode. {E3 Q-E3-35}edit
IdeaProposed for Episode 4 and not made: it as a sticker on the boy's tablet case; a chessboard sampler with it beside the board. {E4 plan/treatments/TA.md}edit
IdeaIn Revision 2, jojo.builds (Noor) recognises its tail. {EGGS_SWEEP}edit
IdeaThe moth's Found one. was a sound for it: a little melon needs a little noise. {series gather}edit